Album Review: Fogbreather - ...And Every Stone Remembers
Album Review
Artist: Fogbreather
Release Date: February, 06, 2026
Score 9/10
Review by Rick Eaglestone
Fogbreather have just released a debut that announces new
voice in British black metal whilst paying homage to the ancient landscapes
that inspired it. ...And Every Stone Remembers
This is the brainchild of Nre, the creative force behind And
Now The Owls Are Smiling, Margaret Read, and Mood Hoover, and whilst those
familiar with his previous work will recognise certain sonic signatures, ...And
Every Stone Remembers feels like a distinct entity entirely – a raw, melodic
black metal offering that doesn't merely visit ruins but inhabits them,
breathing their fog-laden secrets into every tremolo-picked passage and
anguished shriek.
The album announces itself with Regrets In The Mortar,
a six-minute journey that establishes the project's aesthetic immediately. The
production is deliberately raw without sacrificing clarity – you can feel the
bite of the guitar tones, the urgency in the drumming, yet there's space within
the mix for atmosphere to seep through like moisture through old stone. It's
this balance that makes Fogbreather so compelling; this isn't black metal that
bludgeons you into submission but rather draws you into its mist-shrouded world
and refuses to let you leave.
Title track ...And Every Stone Remembers serves as
the album's philosophical centrepiece, and what a magnificent piece it is.
Here, Nre's melodic sensibilities shine through with a melancholic grandeur
that recalls the best of UK black metal whilst maintaining its own distinct
voice. The guitars weave intricate patterns that feel less like riffs and more
like architectural blueprints for structures that exist only in memory, and I
found myself completely transported by the midpoint – standing in Binham Priory
myself, surrounded by centuries of accumulated silence.
A Spirit On The Staircase continues this immersive
quality, and I must say, the track titles alone deserve recognition for their
evocative power. There's a literary quality to this work that extends beyond
mere aesthetics – these aren't just songs about ruins, they're meditations on
the layers of existence that permeate these spaces, the emotional residue left
behind by those who came before. The instrumental Portals serves as a brief
interlude, a moment to catch your breath before the album's most ambitious
statement.
Where Ancient Bargains Bind is the album's crowning
achievement at just over nine minutes, and not a single second feels wasted.
This is Fogbreather at their most expansive and confident, building from
atmospheric beginnings into a maelstrom of tremolo guitars and blast beats before
settling into passages of genuine beauty. The dynamic shifts feel organic,
purposeful – like walking through the nave of a ruined cathedral as light
shifts through broken stained glass. It's in these extended compositions that Nre's
vision fully crystallises, and the result is absolutely mesmerising.
As If The Night Itself Began To Dream brings us back
to more concise territory, though no less evocative. There's a dreamlike
quality here, as the title suggests, with melodies that shimmer and fade like
memory itself and then the album concludes with Her Breath, A Fog Of Secrets, At
over eight minutes, this final statement encapsulates everything that makes
...And Every Stone Remembers such a compelling debut. The fog metaphor that
permeates the project's name and aesthetic comes full circle here – secrets
revealed and concealed simultaneously, truths that exist in the spaces between
notes, in the reverb trails that fade into silence.
If I'm being totally transparent, this is exactly the sort
of album that will find a permanent place in my collection in physical format.
It's something I will return to time and time again, not just for its musical
merits but for the transportive quality it possesses. Each listen feels like a
pilgrimage to those forgotten places, a communion with the stones that remember
when we've long forgotten.
Fogbreather have managed to capture not just the aesthetic
of decay, but the very essence of what it means when history seeps into the
present through fractured walls and forgotten corridors.



Comments
Post a Comment